Thank Early 18th Century Pirates--the Unchained Working Class--for Virtually Every Social Idea You Cherish

Egalitarianism, class solidarity, genuine justice, no discrimination by skin color or sex, and a whole lot more

Thank eighteenth century pirates—the unchained working class of their day—for egalitarianism, class solidarity, genuine justice, no discrimination by skin color or sex, Social Security, Workmen’s Compensation, the right to good food, election of officers (such as captains) and denial of special privileges to them, genuine democracy on the job, abolition of the wages system and the idea that the working class has no nation. All before Karl Marx was born, by the way.

Read all about it in the excerpt below from the above book, a book that I highly recommend you read.

The Maritime World

Turned Upside Down

The early-eighteenth-century pirate ship was a “world turned upside down,” made so by the articles of agreement that established the rules and customs of the pirates’ social order, hydrarchy from below. Pirates distributed justice, elected officers, divided loot equally, and established a different discipline. They limited the authority of the captain, resisted many of the practices of the capitalist merchant shipping industry, and maintained a multicultural, multiracial, multinational social order. They sought to prove that ships did not have to be run in the brutal and oppressive ways of the merchant service and the Royal Navy. The dramatist John Gay demonstrated his understanding of all this when, in Polly, he had Macheath disguise himself as the black pirate named Morano and sing a song to the tune of “The World’s Turned Upside Down.”33

The pirate ship was democratic in an undemocratic age. The pirates allowed their captain unquestioned authority in chase and battle, but otherwise insisted that he be “governed by a Majority.” As one observer noted, “They permit him to be Captain, on Condition, that they may be Captain over him.” They gave him none of the extra food, the private mess, or the special accommodations routinely claimed by merchant and naval captains. Moreover, as the majority gave, so did it take away, deposing captains for cowardice, for cruelty, for refusing “to take and plunder English Vessels,” or even for being “too Gentleman-like.” Captains who dared to exceed their authority were sometimes executed. Most pirates, “having suffered formerly from the ill-treatment of their officers, provided carefully against any such evil” once they were free to organize the ship after their own hearts. Further limitations on the captain’s power were embodied in the person of the quartermaster, who was elected to represent and protect the interests of the crew, and in the institution of the council, the gathering that involved every man on the ship and always constituted its highest authority.34

The pirate ship was egalitarian in a hierarchical age, as pirates divided their plunder equally, levelling the elaborate structure of pay ranks common to all other maritime employments. Captain and quartermaster received one and one half to two shares of plunder; minor officers and craftsmen were given one and one quarter or one and one half; all others got one share each. Such egalitarianism flowed from material facts. To merchant captains it was galling that “there is so little Government and Subordination among [pirates], that they are, on Occasion, all Captains, all Leaders.” By expropriating a merchant ship (after a mutiny or a capture), pirates seized the means of maritime production and declared it to be the common property of those who did its work. Rather than working for wages using the tools and larger machine (the ship) owned by a merchant capitalist, pirates abolished the wage and commanded the ship as their own property, sharing equally in the risks of common adventure.35

Pirates were class-conscious and justice-seeking, taking revenge against merchant captains who tyrannized the common seaman and against royal officials who upheld their prerogative to do so. Indeed, the “Distribution of Justice” was a specific practice among pirates. After capturing a prize vessel, pirates would “distribute justice” by inquiring about how the ship’s commander treated his crew. They then “whipp’d and pickled” those “against whom Complaint was made.” Bartholomew Roberts’s crew considered the matter so important that they formally designated one of their men—George Willson, who was no doubt a fierce and lusty man—the “Dispencer of Justice.” Pirates roughed up and occasionally executed captured captains; a few bragged of their avenging justice upon the gallows. Pirate captain Howell Davis claimed that “their reasons for going a pirating were to revenge themselves on base Merchants and cruel commanders of Ships.” Still, pirates did not punish captains indiscriminately. They often rewarded the “honest Fellow that never abused any Sailors” and even offered to let one decent captain “return with a large sum of Money to London, and bid the Merchants defiance.” Pirates thus stood against the brutal injustices of the merchant shipping industry, with one crew’s even claiming to be “Robbin Hoods Men.”36

Pirates insisted upon their right to subsistence, the food and drink so often denied aboard the merchant or naval ship—the very shortage that led many sailors to go “upon the account” in the first place. One mutinous sailor aboard the George Galley in 1724 responded to his captain’s orders to furl the mizzen-top by saying, “in a surly Tone, and with a kind of Disdain, So as we Eat so shall we work.” Other mutineers simply maintained that “it was not their business to starve,” and that if a captain was making it so, hanging could be little worse. Many observers of pirate life noted the carnivalesque quality of its occasions—the eating, drinking, fiddling, dancing, and merriment—and some considered such “infinite Disorders” inimical to good discipline at sea.37 Men who had suffered short or rotten provisions in other maritime employments now ate and drank “in a wanton and riotous Way,” which was indeed their custom. They conducted so much business “over a Large Bowl of Punch” that sobriety sometimes brought “a Man under a Suspicion of being in a Plot against the Commonwealth”—that is, the community of the ship. The very first item in Bartholomew Roberts’s articles guaranteed every man “a Vote in Affairs of Moment” and equal title to fresh provisions and strong liquor. For some who joined, drink “had been a greater motive . . . than Gold,” and most would have agreed with the motto “No Adventures to be made without Belly-Timber.” The pirates of the Atlantic thus struggled to assure their health and security, their own self-preservation. The image of the freebooter as a man with a patched eye, a peg leg, and a hook for a hand suggests an essential truth: sailoring was a dangerous line of work. Pirates therefore put a portion of all booty into a common fund reserved for those who sustained injuries of lasting effect, whether the loss of eyesight or of any appendage. They tried to provide for the needy.38

The pirate ship was motley—multinational, multicultural, and multiracial. Governor Nicholas Lawes of Jamaica echoed the thoughts of royal officials everywhere when he called pirates a “banditti of all nations.” Another Caribbean official agreed: they were “compounded of all nations.” Black Sam Bellamy’s crew of 1717 was “a mix’t multitude of all Country’s,” including British, French, Dutch, Spanish, Swedish, Native American, and African American, along with two dozen Africans liberated from a slave ship. The main mutineers aboard the George Galley in 1724 were an Englishman, a Welshman, an Irishman, two Scots, two Swedes, and a Dane, all of whom became pirates. Benjamin Evans’s crew consisted of men of English, French, Irish, Spanish, and African descent. Pirate James Barrow illustrated the reality of this internationalism as he sat after supper “prophanely singing . . . Spanish and French Songs out of a Dutch prayer book.” The government often told pirates that “they [had] no country,” and the pirates themselves agreed: when they hailed other vessels at sea, they emphasized their own rejection of nationality by announcing that they came “From the Seas.” A colonial official reported to the Council of Trade and Plantations in 1697 that pirates “acknowledged no countrymen, that they had sold their country and were sure to be hanged if taken, and that they would take no quarter, but do all the mischief they could.” But as a mutineer muttered in 1699, “it signified nothing what part of the World a man liv’d in, so he Liv’d well.”39

Hundreds of people of African descent found places within the social order of the pirate ship. Even though a substantial minority of pirates had worked in the slave trade and had therefore been part of the machinery of enslavement and transportation, and even though pirate ships occasionally captured (and sold) cargo that included slaves, Africans and African Americans both free and enslaved were numerous and active on board pirate vessels. A few of these maritime men of color ended up “dancing to the four winds,” like the mulatto who sailed with Black Bart Roberts and was hanged for it in Virginia in 1720. Another “resolute Fellow, a Negroe” named Caesar, stood ready to blow up Blackbeard’s ship rather than submit to the Royal Navy in 1718; he, too, was hanged. Black crewmen also made up part of the pirate vanguard, the most trusted and fearsome men who were designated to board prospective prizes. The boarding party of the Morning Star, for example, had “a Negro Cook doubly arm’d,” while more than half of Edward Condent’s boarding party on the Dragon was black.40 A “free negro” cook divided provisions equally so that the crew aboard Francis Spriggs’s ship might live “very merrily” in 1724. “Negroes and Molattoes” were present on almost every pirate ship, and only rarely did the many merchants and captains who commented on their presence call them slaves. Black pirates sailed with Captains Bellamy, Taylor, Williams, Harris, Winter, Shipton, Lyne, Skyrm, Roberts, Spriggs, Bonnet, Bellamy, Phillips, Baptist, Cooper, and others. In 1718, sixty out of Blackbeard’s crew of one hundred were black, while Captain William Lewis boasted “40 able Negroe Sailors” among his crew of eighty. In 1719, Oliver La Bouche’s ship was “half French, half Negroes.”41 Black pirates were so common as to move one newspaper to report that an all-mulatto band of sea robbers was marauding the Caribbean, eating the hearts of captured white men.42 In London, meanwhile, the most successful theatrical event of the period was prevented from depicting the reality of black pirates, as the Lord Chamberlain refused to license Polly, John Gay’s sequel to The Beggar’s Opera, which had ended with Macheath about to be hanged for highway robbery. In Polly he was transported to the West Indies, where he escaped the plantation, turned pirate, and, disguising himself as Morano, “a negro villain,” became the principal leader of a gang of freebooters. Polly Peachum dressed herself as a man and sought her hero and his fellow pirates by asking, “Perhaps I may hear of him among the slaves of the next plantation.”43

Some black pirates were freemen, like the experienced “free Negro” seaman from Deptford who in 1721 led “a Mutiney that we had too many Officers, and that the work was too hard, and what not.” Others were escaped slaves. In 1716 the slaves of Antigua had become “very impudent and insulting,” causing their masters to fear an insurrection. Historian Hugh Rankin writes that a substantial number of the unruly “went off to join those pirates who did not seem too concerned about color differences.”44 Just before the events in Antigua, Virginia’s rulers had worried about the connection between the “Ravage of Pyrates” and “an Insurrection of the Negroes.” The sailors of color captured with the rest of Black Bart’s crew in 1722 grew mutinous over the poor conditions and “thin Commons” they suffered at the hands of the Royal Navy, especially since many of them had lived long in the “pyratical Way.” That way meant, to them as to others, more food and greater freedom.45

Such material and cultural contacts were not uncommon. A gang of pirates settled in West Africa in the early 1720s, joining and intermixing with the Kru, themselves known for their skill in things maritime (and, when enslaved, for their leadership of revolts in the New World). And of course pirates had for many years mixed with the native population of Madagascar, helping to produce a “dark Mulatto Race there.” Cultural exchanges among European and African sailors and pirates were extensive, resulting, for example, in the well-known similarities of form between African songs and sea shanties. In 1743 some seamen were court-martialed for singing a “negro song” in defiance of discipline. Mutineers also engaged in the same rites performed by slaves before a revolt. In 1731 a band of mutineers drank rum and gunpowder, while on another occasion a sailor signaled his rebellious intentions by “Drinking Water out of a Musket barrel.” Piracy clearly did not operate according to the black codes enacted and enforced in Atlantic slave societies. Some slaves and free blacks found aboard the pirate ship freedom, something that, outside of the maroon communities, was in short supply in the pirates’ main theater of operations, the Caribbean and the American South. Indeed, pirate ships themselves might be considered multiracial maroon communities, in which rebels used the high seas as others used the mountains and the jungles.46

That piracy was not only for men was proved by Anne Bonny and Mary Read, who showed, sword and pistol in hand, that the many freedoms of the pirates’ life might be enjoyed by women. Women were few aboard ships of any kind in the eighteenth century, but they were numerous enough to inspire ballads about cross-dressing female warriors that became popular among the workers of the Atlantic. Bonny and Read, whose exploits were announced on the cover page of A General History of the Pyrates and no doubt in many another yarn of their own day and after, cursed and swore like sailors, carried their weapons like those well trained in the ways of war, and boarded prize vessels as only the most daring and respected members of pirate crews were permitted to do. Operating beyond the reach of the traditional powers of family, state, and capital, and sharing in the rough solidarity of life among maritime outlaws, they added another dimension altogether to the subversive appeal of piracy by seizing the liberties usually reserved for men, at a time when the sphere of social action for women was narrowing.47